LLEI D'ART 11
Egyptian hieroglyphic script (a symbol-based script). A key figure during this period was Sir Augustus Wollaston Franks (1826–97). Appointed to the Museum in 1851, he was the first person to be responsible for British and medieval material. Franks expanded the collection in new directions, collecting not only British and medieval antiquities but also prehistoric, ethnographic and archaeological material from Europe and beyond as well as oriental art and objects. Visitor numbers increased greatly during the nineteenth century. The Museum attracted crowds of all ages and social classes, particularly on public holidays. The twentieth century saw a great expansion in public services. The first summary guide to the Museum was published in 1903 and the first guide lecturer was appointed in 1911. By the 1970s, there was an active programme of gallery refurbishments and an education service and publishing company had been established. Additional public facilities were provided in a series of building works. These included the Duveen Gallery, built to house the Parthenon Sculptures (1939/62). In 1973 the library became part of a new organisation, the British Library. This organisation remained at the Museum until 1997, when the books left Bloomsbury for a new building at St Pancras. The Queen Elizabeth II Great Court, built in the space vacated by the library, reflects the most recent public expansion at the Museum. At two acres, it is the largest covered public space in Europe. In the centre is the restored Reading Room, while around and beneath it new galleries and an education centre were built. The Museum celebrated its 250th anniversary in 2003 with Lado oeste de la Sala Hotung/ Hotung Gallery facing west © Patronato del Museo Británico/ The Trustees of the British Museum. 141
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